portfolio > people portraits

First
There are lots of different creative options to consider when having a portrait painted, and the first meeting gives us a chance to discuss these. What size will it be? What medium do you prefer? Would you like a formal portrait, or would you like it to have a casual feel? What setting and what clothes would work best to capture the personality and character of the subject. Each of these choices helps to make your portrait individual, unique, and timeless.

Next
The next step is taking the reference photos. Because my subjects are often children and animals, I usually take the photos in the home where they feel most comfortable and relaxed, although at times when the portrait has been a surprise, we have met at a favorite place like a park or the beach. If the portrait will have an outdoor setting, the weather plays a part in the planning, and I usually schedule several back up dates just in case. Also, sometimes children (and pets) just aren’t in the mood. So an ability to “go with the flow” is important.

Third
Using the photos, I create one to several graphite sketches of the pose and composition for you to view and choose from that I feel best capture what you have expressed you are looking for, and the personality of the subject. I don’t have you choose from the actual photos for a number of reasons. I have never painted a portrait from a photo exactly as it appeared, the
camera never captures the colors as I will paint them, I often make changes in the composition, and the likeness is captured from referencing a number of photos not just one. I do however give you some of the photos to keep at the finish of the painting, as well as any sketches that I’ve created.

Forth
If you’d like, I email progress photos for a period of time. This allows you to see the painting in stages, and lets you watch it come to life in a way. I do stop sending them about mid-way through the process though, so that there will be some surprise when you view the finished portrait. This stage can take anywhere from a few weeks to a few months.

Finally
I’ll unveil the portrait at the gallery where we can discuss corrections, if any, you feel need to be made. Although small corrections aren’t uncommon, I’ve never had a portrait rejected, and my work is guaranteed. If you’d like, while we’re at the gallery I’ll help you choose a frame.

Pandora
Oil on panel
Chris
en caustic
2013
"Nick"
Oil on linen
"Aiden and Mystic"
pastel on paper
"Jackie"
oil on linen
"Ross"
oil on linen
"Mia"
oil on linen
"Christopher"
pastel on paper
"Scott"
oil on linen
"Rowan"
Charcoal on rag board
16" x 20"
"Sixteen"
charcoal on paper
"Lilly"
charcoal on paper
"Brie"
charcoal and pastel on paper
"Joe"
charcoal on paper
"Dylan"
charcoal on paper
Untitled
charcoal on paper
"Matthew"
charcoal on board